A HISTORY OF THE WIND BAND
by Dr. Stephen L. Rhodes

Band of the King's Division in York (c) freefoto.com

Table of Contents

1. The Medieval Wind Band

The Beginning of the Medieval Wind Band - Slow Acceptance of Wind Instruments into the Church - Medieval Civic Bands: Great Britain, France, and Germanic Countries - Court Wind Bands - Influence from the East

2. The Renaissance Wind Band

Renaissance Wind Instruments: Flute, Cupped-Mouthpiece Instruments, Double Reeds - Consorts, Consort Music - The House of Tudor: Henry VIII, Elizabeth I, Elizabeth's Progresses - The Elizabethan Theater: Trumpet, Horn & Cornett, Double Reeds, Flute, Fife & Drum - France, Charles V - Music and the Military - The Battle - St. Mark's and the Glory of Venice - Instrumental Forms

3. The Baroque Wind Band

Monteverdi's Orfeo - Development of Instruments: Oboe & Bassoon, Horn, Trumpet - Stadtpfeifer in Leipzig - Composers of Central & Eastern Europe: Pezel, Massaino, Fasch, Heinichen, Vivaldi, Telemann - The French Court of the Late 17th Century - The English Wind Band: Military Music, Music for the Royal Fireworks - Mehter Bands of the Ottoman Empire - The Court of Peter the Great

4. Harmoniemusik and the Classical Wind Band

Roots of Harmoniemusik: Harmoniemusik Instrumentation, Contrabass--the Ninth Player - Performance Venues - Harmonie Literature - Prominent Ensembles: The Emperor's Harmonie, Prince Aloys von Liechtenstein, Prince Kraft Ernst at Wallerstein, Prince Schwarzenberg, Elector Maximilian Franz, Prince Karl Egon von Fürstenberg - Composers of Harmoniemusik: Franz Josef Haydn, Wolfgang Amadeus Mozart, Franz Krommer, Ludwig van Beethoven, Franz Schubert - Harmonie in America - Russian Horn Bands

5. Revolution and 19th-Century Europe

Band Music of the French Revolution - Hector Berlioz' Symphony for Band - Felix Mendelssohn - Wilhelm Wieprecht: Prussian Military Bands, Toward Consistent Instrumentation, Massed Concerts and Additional Reforms - Richard Wagner: Early Works, Trauersinfonie, Huldigungsmarsch, Kaisermarsch - Edvard Grieg - Richard Strauss: Serenade in E-flat, Suite in B-flat, Fanfare der Stadt Wien, The Invalid and Cheerful Workshops - Antonin Dvorák, Charles Gounod - Other Works

6. The 19th-Century American Wind Band

The Brass Band Movement: Keyed Brass, Valved Brass, The Saxhorn - Brass Bands and the Civil War: Responsibilities of Bandsmen, Interaction between Union and Confederate Bands, Over-the-Shoulder Saxhorns - Professional Bands: The Dodworth Family, Great Entertainers, Monsieur Antoine Jullien - Patrick S. Gilmore: Gilmore vs. Kendall, Civil War Engagement, Oversized Concerts, National Peace Jubilee, World Peace Jubilee, Gilmore's Contemporaries, Gilmore's Band, Concert Soloists - John Philip Sousa: The Marine Band, The March King, Sousa Forms His Own Band - Creatore and the Italian Invasion - Patrick Conway - Frederick Innes - Arthur Pryor

7. The British Brass Band

Formative Years: Military Bands, Church Bands, Village Bands - Adolph Sax and the Distin Family - Manufacture and Sales of Instruments - Three Types of Bands Emerge: Patronage Bands, Subscription Bands, Volunteer Bands - Starting a Band - The Salvation Army Band - 19th-Century Brass Band Music - The Call for Original Music - The 20th-Century Brass Band Movement: Number of Bands, Public Perception of Bands, Acceptance of Women, Social Change and Band Literature - Contests and Festivals: Early Years, The National Brass Band Championship

8. English Composers and the Military Band

Gustav Holst: First Suite in E-flat, Second Suite in F, Hammersmith - Ralph Vaughan Williams: English Folk Song Suite, Sea Songs and Toccatta Marziale, Flourish for Wind Band - Percy Aldridge Grainger: Folk Song Influences, Lincolnshire Posy, Early Works, Later Works - Military Band vs. Brass Band

9. The American School Band Movement

Music Education in the 19th Century - School Bands of the Early Twentieth Century - Decline in Professional Bands - The First National School Band Contest: Frustrations Ensue, Plans for Continuation - The 1926 Contest - The 1927 Contest - The 1928 Contest - Standard Instrumentation - The 1929 Contest - The 1930 and 1931 Contests - Subsequent Contests and the Beginning of the End

10. The Glorious March

Military Uses of Music - Early Military Use - March Form - March Tempo - Early Marches - The Golden Era of the March - Twentieth-Century Marches: Movies and Television, Circus Marches - Marches in a Variety of Genres: Symphony/Symphonic Form, Ballet and Incidental Music, Marches in Opera - Keyboard Marches

11. Instrumentation

Diverse History of Instrumentation - United States vs. International Standards - Problems in Instrumentation and Bandstration - Instrumentation and the National School Band Contest - The Clarinet Choir - Wind Ensemble vs. Symphonic Band

12. 20th-Century Repertoire

Repertoire of the Early Twentieth Century - Repertoire of the Early 1940s - Repertoire of the 1940s and 1950s: American Composers Make Their Mark - Repertoire of the 1960s - Repertoire of the 1970s - Repertoire of the 1980s - Repertoire of the 1990s

Bibliography

About the Author

Image credit: Photograph of the Band of the King's Division in York, taken by Ian Britton, 2006.
Copyright © 2006, Ian Britton, www.freefoto.com. Used by permission.
Source: http://www.freefoto.com/preview/11-20-22?ffid=11-20-22&k=Band+of+the+King%27s+Division.

Text copyright © 2007, Stephen L. Rhodes. Web design by David R. Hamrick.
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